
Originally Posted by
scottsta
As a music editor I've done almost every Rob Reiner film since When Harry Met Sally. My job, as music editor, begins by finding and editing temporary music before the composer, Marc Shaiman, starts writing original music. The reason for 'temp' music is to preview the film in front of audiences to get an overall reaction to the film. These test screenings make, especially the director, feel every insecurity they have ever known - unless they happened to make something as good as Misery.
I've worked on a lot of films and been through many previews. My favorite is still Misery. The story was tightly adapted by one of the best screenwriters at the time. (William Goldman) The casting was magic. Kathy Bates is wonderful in everything she does. The music was also lot of fun to edit, because the emotional through-lines were so easy to connect.
The hobbling scene with Liberace (Reiner's idea) playing in the background is about the coolest thing about cinema that I have ever witnessed. After the second preview I snuck up front and sat with the audience. (The filmmakers get reserved seating in the back of the theatre. I dunno why they don't sit in the audience, because that's the best place to hear and see the reactions from people who've never seen the film) Now, just before Annie takes the sledgehammer to Paul's ankles I turned and watched as an entire theatre reacted to the hobbling. The heads snapped back like a great wave in a football game - as if they were getting hobbled. That's the most powerful audience reaction I've ever witnessed in thirty years of working in the business. I'm proud to have worked on that film and thought Misery fans would appreciate the story.
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