I've finally read the Cujo screenplay written by King himself.
It starts out (and ends) with a series of projector slides. The first shows a series of slides showing the Trenton's family moments shown by Victor.
The ones at the end are news reports showing what happened afterward. Both Tad and Bannerman survive in this version, and Bannerman is the one who kills Cujo. At the end, we learn that Bannerman is running for public office. The last slide is a smiling photo of Tad, with a doctor's report that he has been diagnosed with childhood leukemia, that although doctors are not optimistic, it is currently in remission. The last shot is a photo of Cujo's remains with a caption "The monster never dies."
This is not as satisfying an ending as I would have hoped, but it's better than the movie that got made, which basically saw the family reunited, and then that's it. There's no explanation as to how all this will effect their future. In King's version, we at least know would happened later on. I would have liked it better, if they actually had included scenes of Tad in the cancer ward and his parents there coping, or Bannerman making a campaign speech.
Truth be told, none of these versions (book, movie, screenplay) really "works" for me.
Also, in this version we actually get a glimpse of the monster in Tad's closet. It resembles a gigantic, red-eyed, drooling bat-creature, perhaps a manifestation of rabies. The supernatural elements of the novel seem to be basically intact here, unlike in the movie.



!
Bookmarks