The movie is good, this story is better. And for me, the biggest difference between the two lies in the setup: the conversation in Mr. Olin's office before Mike Enslin gets to the room. I love Sam Jackson, so it's nothing against him. It's that Olin, as written by SK, diverges from what Enslin expects from a hotel manager who is only trying to keep him away to add to the mystique. Olin is diffident out in the lobby, but oddly confident within the confines of his own office, and there, he has several insights which can only be described as unnerving to our friend Mikey.
Sam Jackson is a bad ass hotel manager, because he's a bad ass everything. His character in the movie plays into what you would expect form a manager who is only trying to play up the ghost story to add to hotel's rep.
Too, I am biased in favor of the story's version of that scene because SK featured it in On Writing, using that scene to illustrate a portion of his editing process.
But the movie is good. There are several elements on SK story descriptions that are nicely brough to light in the movie through the cinemtography, the tilted camera angles, the yellow-to-orange lighting, etc. And the Carpenter's song at the beginning of his stay is a very SK-esque touch.
In the movie, I miss the story's emphasis on the disjointed tape recording and the instectile voice on the phone, but as good as some elements of the story were, I don't think they would have translated to the screen well, so except for the Olin scene, I think the story changes in the movie would very well done.



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