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View Full Version : 'IT' - interpretations of the WHOLE book (spoilers!!)



thymeoperator
March 30th, 2009, 10:54 AM
Hi, I’m new on here – I just finished reading ‘IT’ the other day. I’d put it off a long time because I hated the film so much, but everyone here was raving about it so I gave it a go, and I think it’s one of my favourite books ever written now. I was looking around here for interpretations of the whole story but I couldn’t find any, so I thought I’d start a thread for it. I haven’t read the Dark Tower books yet, so I don’t know what it says in explanation of things in ‘IT’, but I had my own interpretation of the book:

I thought the whole thing was about having to grow up. All the kids are 11/12 years old, so they’re on the cusp of puberty. Near the end, when they all make love to Beverly, it says sex is something kids don’t know much about and parents don’t talk about much and it just gets referred to as ‘IT’ – so I understood that to mean that ‘IT’ is just anything unknown that frightens and remains mysterious and elusive, and it can take whatever form dependent on who you are, but it’s a lot to do with the mysteries of having to grow up. Also it says IT is a clown because it’s the unknown but you have to laugh at it too, just like you have to laugh at the things you fear, in order to cope.

Then they grow up and forget everything, and have to return 27 years later – by that point they’re sort of middle-aged, and I think that’s what people tend to do around that age, or at least that’s the cliché, isn’t it? So it’s like just the natural revisiting of your childhood, fitting the pieces together before you can sort yourself out and move on with the rest of your life. Also, the way they all were childless…I thought it felt like they all had their own personal traumas they needed to face, in order to grow up, before they were able to move on and have children themselves – and Stan couldn’t cope with facing up to his own past, he’d rather die, it was too much for him. Eddie was weaker in this regard too, maybe, because his life really was a continuation of childhood, since he married his ‘mother’.

In that way, I thought the sewers were like a metaphor for the dark scary unknown in your own mind, venturing into the murk and trying to find your way out. When they all sleep with Beverley, it’s like…instead of fearing it, they embrace IT, and that’s what suddenly makes them know which way to go, how to navigate out of the dark.

I also thought maybe it’s all metaphoric, that the kids didn’t even die, that it’s more like children have to ‘die’ in order to become adults, and that’s why all the parents seem to just ‘let it happen’ as it says, and the kids are described as ‘already ghosts’ and adults seem to treat it like its inevitable, no one will do anything about it – and the parents are all described as being afraid of the children because they’re changing, maybe that’s IT for the parents? And perhaps the turtle, in that sense, is like the parents? And that’s why in the end when they go back to it, IT says the turtle can’t save them now, it’s dead – and interestingly all their parents seem to be dead and gone too. They’re adults now, they have to face the mystery alone, they can’t turn to their parents for guidance anymore. Also I thought the imagery of a turtle conveyed ignorance, like just sinking into your shell and refusing to see.
And in that way I thought Tom died seeing IT because he was so screwed up he couldn’t face his own traumas, but Audra was stronger and only went into shock – and Bill at the end being able to save her, I think it was like he had to defeat his own inner demons before he could truly love, and once he’d done that, that was what allowed him to open up fully to Audra and go on with his life.

Sorry this got so long! Any thoughts on it?

coolambindang
March 30th, 2009, 11:06 AM
All your points are solid. Good work.

Bluey Lunger
March 30th, 2009, 11:08 AM
yeah, great story. there's about five links at the bottom of this page, links to other threads posted here and i imagine is you looked at those, there'd be other other links on those pages, as well. check out tommyknockers you get the chance, if you haven't already. dreamcatcher. i liked the movie, saw it (i think) before i read the story, as well. there's a lot to the story, sub-stories, funny how a bunch of folk talk about the sex in the sewer scene, there's so much more to the story. anyway, yeah, your analysis seems okay.

JohnDalglish
March 30th, 2009, 01:01 PM
All your points are solid. Good work.

Hi,

Aye, indeed, wipes out the movie, doesn't it?

And I shudder what to think of what Warner Bros are going to do with IT in a cinema length film and moving the timeline to the present.

*Shudders again *.

Long days and pleasant nights

Lencho_of_the_Apes
March 30th, 2009, 03:13 PM
That's a VERY interesting reading, thyme, I admire the way you've been able to tease out the (possible) underlying metaphors. All your interp makes a lot of sense, and I'm definitely going to keep your points in mind next time I read It.

In the future -- as you get more King books under your belt and build up your profile here in the forums to the point where you can participate in the 'user-created' groups, I'd like to invite you to come play with us in "The Calvins", where this kind of intensive reading is the goal. Be wary of spoilers, though, if you see threads/messages about books you haven't read. That's true ANYWHERE on this site...

We all float down here...

thymeoperator
March 30th, 2009, 03:58 PM
thanks for all the nice replies! someone commented that everyone mentions the sex in the sewers - i think it's because it's just so weird, a bunch of 12 year old kids all having sex one after the other...when i read it, i just thought it's SO weird, it has to mean something else.

i really wonder about the movie being made of it, because it's so complicated. these kinds of things always lose meaning when adapted to big screen, and i doubt, for instance, hollywood would get away with that sex scene, whereas in a book you can pull that off way more easily. so far over the years i've read christine (that was the first one, about 11 years ago), the dead zone, carrie, the shining, needful things, pet sematary and it. i'm a third through dolores claiborne at the moment. i've seen most of those movies too and something i've noticed about them in the main is that hollywood tends to omit any spiritual/cosmic/really far out side of his books. i personally love the film of 'christine' but i wish they'd included the time travel / possession element of the story; 'the shining' was a good film but i think it's a shame they cut out things like the giant prowling hedges; that kind of thing. and 'it'...the cast, i thought, was terrible, myself. the adults just don't fit my mental image from the book at all, and i don't understand that random bit near the end when one of them says 'wait...before we go in there, i just want to tell you i'm still a virgin...okay let's go fight it!' not to mention it was so boring. it was a long time ago when i saw it, the only thing i really remember liking was tim curry and that weird creepy building in the middle of a field.

i own 'insomnia', 'misery', 'salem's lot' and 'the dark half'. which would you recommend i move onto next?

and maybe i'll join that 'the calvins' group mentioned, so i don't forget about it (sounds interesting), and just not read through it until i've read more. please do send me an invite :) because i love that sort of discussion - after i finished 'it' i actually got out some paper and jotted down all kinds of notes before it went out of my head, and i've had it all circling around in my mind for days because it was a book that just sank right in and won't leave!

Lencho_of_the_Apes
March 31st, 2009, 11:59 AM
Which one next? They're all good, you'll enjoy any of those. When people ask that question, I usually recommend that they read chronologically, in the order they were written, but it really doesn't matter... I think I'd save Insomnia for later, though; it's very much a part of the big overarching huge multivolume mythology (centered around the Dark Tower series) that Mr. King's been developing during this latter part of his career, and as a stand-alone story it's ... maybe... less enjoyable than some of the others.

If there's an apparatus for issuing invitations, I'll use it -- going to look for it as soon as I finish posting this message -- but if not, just find The Calvins for yourself and hit the 'join" button.

We all float down here...

thymeoperator
March 31st, 2009, 04:01 PM
hi, yes someone else sent me an invite so it's okay :) i'm going to start 'the dark half' tomorrow, i've decided - the plot sounds intriguing and i wondered about it after all the references in 'needful things'.